october 1st: i'm cOMIN OUTTA MY GRAVE AND I BEEN DOIN JUST FINE

rainbowrites:

kaitlin-kelly:

burdge:

ok but hear me out- what about a lightning bolt scar that looked like real lightning?

#before the films came out this is what i thought it looked like #like his scar doesnt even look like a scar in the films or offish illustrations it looks like a scratch #i think its cool to imagine his scar being very conspicuous and deep idk (via parmachkai​)

I love this, the way it looks like his head was split open and then healed back jagged and wrong. Reminds me of how there’s a little bit of Voldemort’s soul hiding within that scar.
Also yeah, the movie scar just looks like a weird little ‘N’ scratched over his eyebrow. IT BUGGED ME SO MUCH

rainbowrites:

kaitlin-kelly:

burdge:

ok but hear me out- what about a lightning bolt scar that looked like real lightning?

parmachkai

I love this, the way it looks like his head was split open and then healed back jagged and wrong. Reminds me of how there’s a little bit of Voldemort’s soul hiding within that scar.

Also yeah, the movie scar just looks like a weird little ‘N’ scratched over his eyebrow. IT BUGGED ME SO MUCH

(via wisenedbyage)

a-menacing-pineapple:

Real talk guys. This is my nana, Jean Southern. I went around to hers to do what we usually do on Saturdays; drink tea, play Scrabble and talk about random shite. One time I showed her this image and I swear she damn near pissed herself and that’s the story of how I had a conversation with my nana about how she wished she called Daniel Radcliffe a cunt.

a-menacing-pineapple:

Real talk guys. This is my nana, Jean Southern. I went around to hers to do what we usually do on Saturdays; drink tea, play Scrabble and talk about random shite. One time I showed her this image and I swear she damn near pissed herself and that’s the story of how I had a conversation with my nana about how she wished she called Daniel Radcliffe a cunt.

(via confessionofobsession)

thegreenwolf:

ohcorny:

so this is what i ended up with for the “make your audience angry” assignment
i dont know about ya’ll but that phrase pisses me right the hell off

Side tip: if anyone ever grabs your hair like the above, clamp one hand HARD down on your scalp where the hair is coming out (think of how you try to immobilize your hair when brushing tangles out so it doesn’t hurt as bad, only do so at the scalp and not further down the hair). Then use your other hand to start hitting the other person (go for the face!) and blocking any blows they may try to make with their free hand. You can also step into them (which removes the tension on your hair) and start throwing your knees into their groin, stomach, kick the side of their knee, etc. 
The reason hair-pulling works is A) it HURTS and B) it’s an effective handle, especially because your instinct is going to be to pull away. But reduce the pain and the tension on the hair and you have more room to work with until the other person lets go, at which point you can run like hell or otherwise defend yourself as needed.

thegreenwolf:

ohcorny:

so this is what i ended up with for the “make your audience angry” assignment

i dont know about ya’ll but that phrase pisses me right the hell off

Side tip: if anyone ever grabs your hair like the above, clamp one hand HARD down on your scalp where the hair is coming out (think of how you try to immobilize your hair when brushing tangles out so it doesn’t hurt as bad, only do so at the scalp and not further down the hair). Then use your other hand to start hitting the other person (go for the face!) and blocking any blows they may try to make with their free hand. You can also step into them (which removes the tension on your hair) and start throwing your knees into their groin, stomach, kick the side of their knee, etc. 

The reason hair-pulling works is A) it HURTS and B) it’s an effective handle, especially because your instinct is going to be to pull away. But reduce the pain and the tension on the hair and you have more room to work with until the other person lets go, at which point you can run like hell or otherwise defend yourself as needed.

(via wisenedbyage)

the-dawn-wont-end-the-night:

dandraco:

hollyoakhill:

do you ever think about how little Michelangelo cared

All right, everyone, grab a chair and sit back because I’m going to share with you what I learned about Michelangelo and the Sistine Chapel in my Art History Class.
The man NEVER wanted to paint the damn thing. But the pope at the time “forced him to” According to my teacher. Michelangelo hated this man, I MEAN REALLY HATED HIM. So did a majority of people. The pope’s nickname translated literally means “Terrible pope”.
And the working conditions were awful. He had to work on his back with all that paint, which is filled with some toxic shit that gave Michelangelo a limp for the rest of his life. (Also, our teacher made us get on our backs and try drawing with both hands JUST to prove how bad and uncomfortable it is.)
At the time, the ceiling was so high, you could barely see it. You need binoculars to get a good look at what’s up there, by the time people could see the paintings, there was a lot of weird symbolism that Michelangelo hid up there.

This one? The creation of the sun and moon? God is mooning you. And the pope and all others after him prayed under that without knowing.

This one? At the time, dissecting was sacrilegious and everyone found out how behind God was what looked like half a brain. blah blah, science, science, that pissed everyone off.
And also, ALLLLLLL the men and women in the Sistine Chapel are all on fucking steroids. My teacher described the women’s bodies as "Men bodies with boobs slapped on."
And then there is this:

Now this is the back wall. Michelangelo actually wanted to paint this one after he finished the ceiling. (and there was a different pope too, I believe.) However, originally, EVERYONE in that painting was naked. And they didn’t like it. Adam and Eve naked? That’s cool. But Jesus? Now you crossed the line. So the pope at the time hired someone else to censor it and give the important figures clothes. He worked on it for 6 or 9 months before he died.
And then the symbolism in this one is great. Somewhere in the right, there are homosexuals in heaven. (No matter what, the Vatican will say “Those straight men are happy” I’ll get to that in a second), Michelangelo painted himself near Jesus, and the terrible pope is in hell with a snake biting his balls.
And if you were to point ANY of this out to the Vatican, they will deny all of it and claim Michelangelo was a catholic hero. In fact, when they discovered the symbolism around the 60s or 70s, the guy who told the Vatican was kicked out of the Vatican for life.
TL;DR: Michelangelo hated the pope and made the best “fuck you” of all time.

It should also be worth nothing that Michelangelo was a sculptor by trade. This comic is actually 100% accurate (besides the apples of course.) He was commissioned by the Vatican to sculpt religious figures for the Sistine Chapel, and he finished sculpting like SEVEN of them, FROM MARBLE, but at the last minute, the douche Pope was like “Nah, let’s paint the ceiling instead,” and Michelangelo was PISSED, and thus he painted a bunch of profane shit on the ceiling, one of my favorites being he cherub that makes an obscene gesture (for that time period) at the Pope.

Also for the reason for the beefy women was mostly for the reason in the comic: Michelangelo painted a BUNCH of hunky dudes, and then just slapped some titties on a few of them.
There’s a possibility he did this because Michelangelo also saw a lot more nude men in his free time than women.
WINK.

the-dawn-wont-end-the-night:

dandraco:

hollyoakhill:

do you ever think about how little Michelangelo cared

All right, everyone, grab a chair and sit back because I’m going to share with you what I learned about Michelangelo and the Sistine Chapel in my Art History Class.

The man NEVER wanted to paint the damn thing. But the pope at the time “forced him to” According to my teacher. Michelangelo hated this man, I MEAN REALLY HATED HIM. So did a majority of people. The pope’s nickname translated literally means “Terrible pope”.

And the working conditions were awful. He had to work on his back with all that paint, which is filled with some toxic shit that gave Michelangelo a limp for the rest of his life.
(Also, our teacher made us get on our backs and try drawing with both hands JUST to prove how bad and uncomfortable it is.)

At the time, the ceiling was so high, you could barely see it. You need binoculars to get a good look at what’s up there, by the time people could see the paintings, there was a lot of weird symbolism that Michelangelo hid up there.

This one? The creation of the sun and moon? God is mooning you. And the pope and all others after him prayed under that without knowing.

This one? At the time, dissecting was sacrilegious and everyone found out how behind God was what looked like half a brain. blah blah, science, science, that pissed everyone off.

And also, ALLLLLLL the men and women in the Sistine Chapel are all on fucking steroids. My teacher described the women’s bodies as "Men bodies with boobs slapped on."

And then there is this:

Now this is the back wall. Michelangelo actually wanted to paint this one after he finished the ceiling. (and there was a different pope too, I believe.) However, originally, EVERYONE in that painting was naked. And they didn’t like it. Adam and Eve naked? That’s cool. But Jesus? Now you crossed the line. So the pope at the time hired someone else to censor it and give the important figures clothes. He worked on it for 6 or 9 months before he died.

And then the symbolism in this one is great. Somewhere in the right, there are homosexuals in heaven. (No matter what, the Vatican will say “Those straight men are happy” I’ll get to that in a second), Michelangelo painted himself near Jesus, and the terrible pope is in hell with a snake biting his balls.

And if you were to point ANY of this out to the Vatican, they will deny all of it and claim Michelangelo was a catholic hero. In fact, when they discovered the symbolism around the 60s or 70s, the guy who told the Vatican was kicked out of the Vatican for life.

TL;DR: Michelangelo hated the pope and made the best “fuck you” of all time.

It should also be worth nothing that Michelangelo was a sculptor by trade. This comic is actually 100% accurate (besides the apples of course.) He was commissioned by the Vatican to sculpt religious figures for the Sistine Chapel, and he finished sculpting like SEVEN of them, FROM MARBLE, but at the last minute, the douche Pope was like “Nah, let’s paint the ceiling instead,” and Michelangelo was PISSED, and thus he painted a bunch of profane shit on the ceiling, one of my favorites being he cherub that makes an obscene gesture (for that time period) at the Pope.

Also for the reason for the beefy women was mostly for the reason in the comic: Michelangelo painted a BUNCH of hunky dudes, and then just slapped some titties on a few of them.

There’s a possibility he did this because Michelangelo also saw a lot more nude men in his free time than women.

WINK.

(via setyourtrackers)

curryuku:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…
Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.
I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.
Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.
I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.
Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.
So yeah.
Read this. Please. It’s so easy explained.

rebloging for future reffs

curryuku:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…

Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.

  • I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
  • The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
  • here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

imageimage

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.

Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

image

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

image

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.

I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

image

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.

Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.

So yeah.

Read this. Please. It’s so easy explained.

rebloging for future reffs

(via setyourtrackers)

animalaspects:

animalaspects:

Here are some wonderful facts about Sea World’s orcas!
The average lifespan of wild orcas ranges from 30-50 years, although some females can easily make it past 80 (a wild orca named J2 or ‘Granny’ is 103 this year!). The lifespan of a Sea World orca is around 25 years, the median age being 9. But at least they put on a good show!
Don’t worry, collapsed dorsal fins are a common condition, although in the wild only sick or injured orcas have collapsed dorsal fins. All of Sea World’s males and some females have it, it makes them look unique! 
The size of Sea World’s tanks compared to an orca is about the same as a human to a bathtub. Lot’s of room to stretch and move!
Wild orcas swim 100+ miles a day, they would have to swim around their tank 1,400+ times a day to achieve that. But that seems like a lot of work, and you may see the animals hanging out near the surface of the water or on the bottoms of their tanks for hours. That’s a lot more relaxing than swimming all those miles!
Sea World gives their orcas a Valium-like drug to stop the whales from acting aggressively towards each other and to numb their minds from their vastly uninteresting concrete tanks. Buying a ticket to Sea World is an excellent way to help them pay for these drugs that they pump their animals full with!
Many captive orcas show abnormal behaviors like head bobbing, chewing on concrete, and self mutilation by banging their heads into the side of the tank. Obviously just temper-tantrums! Silly things.
In the wild, there has been only one orca attack. Bad orca! While in captivity, there have been over 100 attacks and 4 deaths. These animals just need more training, it couldn’t possibly be related to their confinement! 
Food is used as reinforcement for tricks. Do a trick, get your dinner. Don’t want to do a trick? I guess you don’t eat tonight you stubborn thing! 
See? Sea World isn’t as bad as people make it out to be! Oh, one more fact: for every $1,000,000 Sea World makes, about $600 goes into conservation efforts (about $0.5 a ticket). I’m so glad they care about conservation of the ocean! Amazing work!
Sources: (x) (x) (x) (x)
If you haven’t realized it yet, this post is 100% sarcastic. It should be obvious, but not everyone understands sarcasm…

Please don’t let this die

animalaspects:

animalaspects:

Here are some wonderful facts about Sea World’s orcas!

  • The average lifespan of wild orcas ranges from 30-50 years, although some females can easily make it past 80 (a wild orca named J2 or ‘Granny’ is 103 this year!). The lifespan of a Sea World orca is around 25 years, the median age being 9. But at least they put on a good show!
  • Don’t worry, collapsed dorsal fins are a common condition, although in the wild only sick or injured orcas have collapsed dorsal fins. All of Sea World’s males and some females have it, it makes them look unique! 
  • The size of Sea World’s tanks compared to an orca is about the same as a human to a bathtub. Lot’s of room to stretch and move!
  • Wild orcas swim 100+ miles a day, they would have to swim around their tank 1,400+ times a day to achieve that. But that seems like a lot of work, and you may see the animals hanging out near the surface of the water or on the bottoms of their tanks for hours. That’s a lot more relaxing than swimming all those miles!
  • Sea World gives their orcas a Valium-like drug to stop the whales from acting aggressively towards each other and to numb their minds from their vastly uninteresting concrete tanks. Buying a ticket to Sea World is an excellent way to help them pay for these drugs that they pump their animals full with!
  • Many captive orcas show abnormal behaviors like head bobbing, chewing on concrete, and self mutilation by banging their heads into the side of the tank. Obviously just temper-tantrums! Silly things.
  • In the wild, there has been only one orca attack. Bad orca! While in captivity, there have been over 100 attacks and 4 deaths. These animals just need more training, it couldn’t possibly be related to their confinement! 
  • Food is used as reinforcement for tricks. Do a trick, get your dinner. Don’t want to do a trick? I guess you don’t eat tonight you stubborn thing! 

See? Sea World isn’t as bad as people make it out to be! Oh, one more fact: for every $1,000,000 Sea World makes, about $600 goes into conservation efforts (about $0.5 a ticket). I’m so glad they care about conservation of the ocean! Amazing work!

Sources: (x) (x) (x) (x)

If you haven’t realized it yet, this post is 100% sarcastic. It should be obvious, but not everyone understands sarcasm…

Please don’t let this die

(via wingscanspeak)

imnotohfuckingkayyy:

*gerards album gets leaked*

Fandom: wow guys if you listen to that you’re not a true fan how disrespectful.

Gerard: holy shit my album got leaked? What do you think? You can’t find the leaked version??!? Hold on I’ll send you a link.

(via wisenedbyage)